Tag Archives: Production Review

Bayreuth Meistersinger 2017

Barry Kosky’s new production of Die Meistersinger at Bayreuth is a polemic, suggesting that, in creating the role of Sixtus Beckmesser, Wagner intended to warn his audiences to reject the harmful influence of Jews on the integrity of German art.  Kosky asks further whether, in feeding this pernicious strain of German anti-Semitism, Wagner, along with […]

Vienna’s New Parsifal

Classic dramatic structure requires that a play feature a climax—a single moment in the action, necessary to the narrative, when the protagonist achieves self-awareness, accepts fate, and performs the action that the plot requires.  In Hamlet, it is the moment that prompts his declaration “The point envenomed too?  Then, venom, do thy work,” and fatally […]

Lohengrin as Nudnik

The production of Lohengrin at the Opéra National de Paris, which I saw in early February, prompts inquiry into the creative process by which theatre artists choose interpretation of classic texts. Many years ago I was involved in a production of e.e. cummings’ obscure play him, where the director extracted from the text a running […]

Chicago’s Brilliant Rheingold

If the entire Ring Cycle now being mounted at the Chicago Lyric Opera has even a fraction of the intellect and panache that the first installment, Das Rheingold, displays, then the Windy City is in for a treat.  Between the Cubs and David Pountney, Chicago is having a hell of a good Fall. Musically, the […]