Tag Archives: Production Review

Vienna’s New Parsifal

Classic dramatic structure requires that a play feature a climax—a single moment in the action, necessary to the narrative, when the protagonist achieves self-awareness, accepts fate, and performs the action that the plot requires.  In Hamlet, it is the moment that prompts his declaration “The point envenomed too?  Then, venom, do thy work,” and fatally […]

Lohengrin as Nudnik

The production of Lohengrin at the Opéra National de Paris, which I saw in early February, prompts inquiry into the creative process by which theatre artists choose interpretation of classic texts. Many years ago I was involved in a production of e.e. cummings’ obscure play him, where the director extracted from the text a running […]

Chicago’s Brilliant Rheingold

If the entire Ring Cycle now being mounted at the Chicago Lyric Opera has even a fraction of the intellect and panache that the first installment, Das Rheingold, displays, then the Windy City is in for a treat.  Between the Cubs and David Pountney, Chicago is having a hell of a good Fall. Musically, the […]

The Met’s Superbly Sung, Strangely Staged, Tristan

The Met Opera opened its season with a new production of Tristan und Isolde Sein Vater, using Wagner’s score (if not his story) in a sumptuously, even thrillingly rendered performance. Simon Rattle was true to his name and shook both the score and the audience of preconceptions.  It felt a bit long and all the […]