Monthly Archives: November 2012

Tristan in the Score of Meistersinger

Meistersinger appears on its face to be a paean to German art, expressed in a tribute to German musical heritage.  And most pronounced in that heritage is the mastery of counterpoint and of well-tempered tuning. So the great work begins in C-major, ends in C-major, and features passages of fugal writing (such as the Act II riot) […]